The Best Movies On Amazon Prime Right Now, Ranked

Current ranking of the 50 best movies on Amazon Prime video.

The Best Movies on Amazon Prime Right Now
Drama Best Amazon Prime Movies: She also represents humankind with more dignity and grace than any other modern actor possibly could. Haigh breezes past them all, seeking something more elliptical in this deceptively slim story. View all Cars Sites. The problem that Human Flow documents is massive and gaining in scope, chronicled first as a trickle, then a stream, then a torrent, now a deluge—soon a tsunami. And then Dear Zachary transforms into something profoundly else.

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The 50 Best Movies on Amazon Prime (September 2018)

The most ironclad comment you can make about mother! Like any good follow-up, Crank 2 is everything that Crank was, but launched irretrievably down a hellish K-hole, amping up all the public sex, murder, violence, gratuitous nudity, nihilism and genre-bending fuck-all spirit that made the first such a potential point of cult fascination.

There is nothing subtle about Crank 2 ; there is only submission. The brevity of their union concerns her dad Andrzej Grabowski , but he does his best to warm up to Piotr despite his reservations. Piotr flies to Poland from England to wed Zaneta, settle down, and gussy up the house and the land it rests upon, and so their troubles begin: Horror snobs may feel inclined to evict Demon from the genre for its absence of scares. He includes no unearned jump beats, nothing to startle us the way that horror cinema has taught us to anticipate throughout its annals.

What he pulls off instead is a good deal trickier, thanks in large part to expectation and custom. Demon gets under the skin, distorting perception while corrupting bliss at the same time, and even with a plate that full the film finds room for pitch black humor and a slice of nationalism: Early in the film, writer-director Robert Mockler introduces us to the online world of our main character, Kiya Addison Timlin, terrifying , via a disturbing barrage of hyperreal, gif-like images—close-ups of sugary cereal and milk chewed sloppily, of a viscous tongue mid-slurp, of Kiya doing weird kinesthetics in a dirty motel room while the camera capsizes and arises around her, this Manic Pixie Dream Girl who embodies each of those words as literally as possible.

Kiya lures a motel manager, Marshall Larry Fessenden, better than excellent , to her room—another room, another motel, somewhere on this stupid planet—with the possibility of sex. Of course, some icky gastrointestinal calamity occurs, but Marshall never flinches, so Kiya kidnaps him and takes him with her. Gorgeous and gross in equal measure, Like Me is a visual feast. Carnival of Souls Year: The story follows a woman Candace Hilligoss on the run from her past who is haunted by visions of a pale-faced man, beautifully shot and played by director Herk Harvey.

As she seemingly begins to fade in and out of existence, the nature of her reality itself is questioned. Carnival of Souls is vintage psychological horror on a miniscule budget, and has since been cited as an influence in the fever dream visions of directors such as David Lynch. Rod Serling would no doubt have been a fan. Swiss Army Man Year: Daniel Scheinert, Dan Kwan It should be ridiculous, this. A buddy comedy built atop the premise of a man Paul Dano lugging around, and bonding with, a flatulent talking corpse Daniel Radcliffe —but cinema is a medium in which miracles are possible, and one such miracle occurs in Swiss Army Man.

A film with such a seemingly unpalatable concept becomes, against all odds, a near-profound existential meditation. Swiss Army Man is a work that feels positively lawless. Witness with amazement what bizarrely heartfelt splendors its creators will come up with next. What We Do in the Shadows Year: The New Zealand-made horror-comedy is deeply self-aware, reveling in its silly practicalities: Hers has the makings of a familiar one, of a misfit who wants more than anything to compete—but unlike most stories of inspirational audacity, The Fits is as much about discomfort as the catharsis that comes with achievement.

In it, Toni Royalty Hightower is an year-old who has more experience with stereotypically male pursuits like lifting weights and punching speed bags than the usual interests of a pre-teen girl. With that, the film manages to reinvent the sports story as something both brainy and physically pure. Instead, Saulnier simply presents us this nutty scenario without feeling the need to lard it up with anything as cumbersome as topical commentary or moral ambiguity.

He proceeds to wring as much tension and suspense from its pulpy retro plot as possible, adding a few entertaining grace notes along the way, which can best be seen in its performances. In the ensemble-based Green Room , Saulnier revels in the contrasts of personalities and styles: Meanwhile, Saulnier supports these characters and plot turns with filmmaking that is remarkable for its economy and patience.

Sean Porter gets a lot of mileage out of the cramped quarters and grimy lighting of the bar, lending its wide 2. In those ways, the lean, mean Green Room stands as one of the best B-movie genre exercises in many years. City of Ghosts Year: The threats are known and the stakes understood, at least conceptually. And yet, by offering dedicated, deeply intimate portraits of the people caught up in these crises, Heineman complicates them beyond all repair, placing himself in undoubtedly death-defying situations to offer a perspective whose only bias is instinctual.

So it is with City of Ghosts , in which he follows members of Raqqa is Being Slaughtered Silently, a group committed to using citizen-based journalism to expose the otherwise covered-up atrocities committed by ISIS and the Assad regime in Syria.

In hiding, in Turkey and Germany and at an event for journalists in the U. Heineman could have easily bore witness to the atrocities himself, watching these men as they watch, over and over, videos of their loved ones executed by ISIS, a piquant punishment for their crimes of resistance. There is much to be said about the responsibility of seeing in our world today, after all. Instead, while City of Ghosts shares plenty of horrifying images, the director more often that not shields the audience from the graphic details, choosing to focus his up-close camera work on the faces of these men as they take on the responsibility of bearing witness, steeling themselves for a potential lifetime of horror in which everything they know and love will be taken from them.

By the time Heineman joins these men as they receive the International Press Freedom Award for their work, the clapping, beaming journalists in the audience practically indict themselves, unable to see how these Syrian men want to be doing anything but what they feel they must, reinforcing the notion that what seems to count as international reportage anymore is the exact kind of lack of nuance that Heineman so beautifully, empathetically wants to call out.

Lean on Pete Year: Here, he plays Charley Thompson, a year-old living with his drinking, backslapping dad Travis Fimmel in Portland. The first indication is his willingness to lie about his age to Del Steve Buscemi , a craggy horse owner who reluctantly takes him on as a caretaker for his elderly racehorse Lean on Pete.

Familiar narrative tropes emerge in Lean on Pete: Haigh breezes past them all, seeking something more elliptical in this deceptively slim story. Rather, this bizarre deconstruction of Reagan-era yuppiehood came from Brian Yuzna, well-known to horror fans for his partnership with Stuart Gordon, which produced the likes of Re-Animator and From Beyond …and eventually Honey, I Shrunk the Kids , believe it or not.

Society is a weird film on every level, a feverish descent into what may or may not be paranoia when a popular high school guy begins questioning whether his family members and indeed, the entire town are involved in some sinister, sexual, exceedingly icky business.

It takes aim at its own title and the tendency of insular communities to prey upon the outside world to create social satire of the highest and grossest order. Robert Eggers From its first moments, The Witch strands us in a hostile land.

That's where GameSpot comes in--here's what to watch in September if you have a Prime membership. After sifting through the release calendar for a new month of Amazon Prime Video additions, we have the highlights you aren't going to want to miss. So sit back, put your feet up, and get ready to welcome summer with the best of what's to come in September. As far as TV goes, there's really only one title you need to keep your eyes on and that's Kidding.

The new Showtime series features Jim Carrey as the star of a children's show whose personal life if anything but kid-friendly. As his life begins to crumble, the man who has relied on the imaginary world he has built for his show now faces a harsh reality. Given that this is a Showtime series, it will require you to add a subscription to the premium cable network onto your Amazon Prime Video account to watch. The show follows the two as a married couple attempting to spice up what's become a pretty boring life by taking a ski trip that lands them in "completely unfamiliar territory.

While there are a number of great films coming to the service, as well, the most exciting is surely the original Ghostbusters. The supernatural comedy is the perfect thing to sit down and watch, regardless of how many times you've seen it. Luckily, Ghostbusters II is also being added, so you can have your own little double feature. As for originals, a new adaptation of King Lear starring Anthony Hopkins and Emma Thompson will also debut this month.

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When Amazon debuted Amazon Prime more than a decade ago, CEO Jeff Bezos and company simply wanted to give their loyal customers a chance to save some money on shipping costs. As the service gained a massive subscription base, the company continued adding a slew of incredible perks, such as access to Prime Pantry, same . Best Amazon Prime Movies: Horror There are plenty of mediocre movies, as well as truly terrible films, on Amazon prime Video, but luckily the streaming service tends to add a few great flicks each. Amazon Prime is an unheralded streaming treasure trove of some of the best movies to come out in the past couple years, though good picks can feel nearly impossible to cull cometimes from the sometimes overwhelming glut of weirdly terrible titles buried in Prime’s nether regions.